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 Animation is a word that has practically stormed the film industry these days. Everyone, right from the 8-year old kids to 80-year old granddads, loves to watch an animation flick. Have you ever wondered what animation exactly is and how did it come into existence. Animation is basically the rapid display of a sequence of images, of 2-D or 3-D artwork or model positions. The display is so rapid that it creates an illusion of movement in the viewers. The phenomenon of persistence of vision is the main basis behind the development of animation. In case you want to further explore the origin and history of animation, make use of the information provided in the lines below.The earliest instance of animation dates back to the Paleolithic times, when attempts were made to capture motion in drawings. The cave-paintings of that time depict animals in superimposed positions, drawn with an aim of conveying the perception of motion. Persistence of vision, the basis behind animation, was discovered by Ptolemy, the Greek astronomer, in 130 AD. Fifty years later, in 180 AD, an unknown Chinese inventor created an early animation device, which we later came to know as the zoetrope.Phenakistoscope, praxinoscope and the flip book are the other early animation devices, which were invented during the 1800s. All these devices made use of technological means for the purpose of producing movement from sequential drawings. However, it was the introduction of motion picture films, in the late 1890s that gave a boost to the concept of animation. There is no single person who can be credited with the title of the "Creator" of animation. This is because when animation was developed, many people were involved in the same thing at the same time. J. Stuart Blackton was the first person to make an animated film, which he called "Humorous phases of funny faces". For the purpose, he used to draw comical faces on a blackboard, one after the other, and film them. In 1910, Emile Cohl came out with the first paper cutout animation. The development of celluloid, around 1913, made animation much easier to manage. While talking about the history of animation, three names that are definitely worth mentioning are those of Winsor McCay of United States & Emile Cohl and Georges Melies of France. Émile Cohl's Fantasmagorie (1908) was the first animated film that was made using 'traditional (hand-drawn) animation'. Georges Méliès, a creator of special-effect films, was the first person to use animation, along with special effects. He was the one who gave the idea of stop-motion animation. McCay also created a number of animation films, with the most noted ones being Little Nemo (1911), Gertie the Dinosaur (1914) and The Sinking of the Lusitania (1918). In fact, many people take ‘Sinking of the Lusitania’ to be the first animated feature film. However, it was Walt Disney who took animation to an entirely new level altogether.

Free Animated Wallpaper Cell Phone

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

Free Animated Wallpaper Cell Phone

 

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Even though animation was conceived as early as 1824 by Peter Roget, the very first actual methods of animation were made possible by a device called a zoetrope. The zoetrope was a spinning cylinder with open slits that would allow viewing of certain still images in a certain sequence. Someone viewing a zoetrope at a particular angle could see images that appeared to be moving.After Edison and the invention of motion pictures in 1889, film director Emile Cohl combined more than 700 still drawings, which were then each meticulously photographed individually. When Cohl combined all of the shots together, the drawings appeared to be moving on the film, ntasmagorie," which was released in 1908. Other animated films soon followed like "Gertie the Dinosaur" and "Felix the Cat," both released around 1920.First, a storyboard is created showing a quick sketch of the general idea and direction of the cartoon or animated feature. Next, the dialog is recorded before the actual animators create the final inked cartoons on pieces of clear celluloid acetate, or cels. After inking, animators paint in the color on the opposite side of the cel and finally combine all the cels to be photographed, using a special film motion picture camera.

Cel animation allows animators to repeat certain frames, eliminating the need to draw each individual frame over and over in a sequence of animation. Backgrounds and fixed objects may be included in every background cel while other cels are removed and replaced over and over to simulate movement by animated characters.For example, if there are two characters in a scene and only one character is moving in this scene, an animator would draw character A on a clear piece of film called a cel. Then, using another second cel, the animator will draw character B. As character A is jumping up and down in a sequence of moves, a new cel is created for each movement. These cels are then combined and shot on a special film camera in a logical sequence that makes character A look like he's jumping up and down, while character B remains unmoving.

Animated Wallpapers For Pc

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

 

Animated Wallpapers For Pc

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Free Animated Phone Wallpaper Biography

 Animation is a graphic representation of drawings to show movement within those drawings.  A series of drawings are linked together and usually photographed by a camera.  The drawings have been slightly changed between individualized frames so when they are played back in rapid succession (24 frames per second) there appears to be seamless movement within the drawings.Pioneers of animation include Winsor McCay of the United States and Emile Cohl and Georges Melies of France.  Some consider McCay's Sinking of the Lusitania from 1918 as the first animated feature film.Early animations, which started appearing before 1910, consisted of simple drawings photographed one at a time.  It was extremely labor intensive as there were literally hundreds of drawings per minute of film.  The development of celluloid around 1913 quickly made animation easier to manage.  Instead of numerous drawings, the animator now could make a complex background and/or foreground and sandwich moving characters in between several other pieces of celluloid, which is transparent except for where drawings are painted on it.  This made it unnecessary to repeatedly draw the background as it remained static and only the characters moved.  It also created an illusion of depth, especially if foreground elements were placed in the frames.Walt Disney took animation to a new level.  He was the first animator to add sound to his movie cartoons with the premiere of Steamboat Willie in 1928.  In 1937, he produced the first full length animated feature film, Snow White and the Seven Dwarfs.With the introduction of computers, animation took on a whole new meaning.  Many feature films of today had animation incorporated into them for special effects.  A film like Star Wars by George Lucas would rely heavily on computer animation for many of its special effects.  Toy Story, produced by Walt Disney Productions and Pixar Animation Studios, became the first full length feature film animated entirely on computers when it was released in 1995.All these devices made use of technological means for the purpose of producing movement from sequential drawings. However, it was the introduction of motion picture films, in the late 1890s that gave a boost to the concept of animation. There is no single person who can be credited with the title of the "Creator" of animation. This is because when animation was developed, many people were involved in the same thing at the same time. J. Stuart Blackton was the first person to make an animated film, which he called "Humorous phases of funny faces". For the purpose, he used to draw comical faces on a blackboard, one after the other, and film them. In 1910, Emile Cohl came out with the first paper cutout animation.

Free Animated Phone Wallpaper

Free Animated Phone Wallpaper

Free Animated Phone Wallpaper

Free Animated Phone Wallpaper

Free Animated Phone Wallpaper

Free Animated Phone Wallpaper

 

Free Animated Phone Wallpaper

 

Free Animated Phone Wallpaper

 

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 Animation should be an art....what you fellows have done with it is making it into a trade....not an art, but a trade....bad luck ." Thus Winsor McCay, father of the animated cartoon, pronounced the doom of the very industry he had inadvertently helped create.From 1911-21 McCay nursed animation from a simple camera trick to full blown character animation that would take 20 years to be surpassed. McCay animated his films almost single-handed; from inception to execution each cartoon was his and his alone. He took the time to make his films unique artistic visions, sometimes spending more than a year to make a single five-minute cartoon. But the burgeoning world of cinema could not wait so long for so little, and so the modern animation studio came into being. The art of animation was no longer the work of one man, it was a streamlined, assembly-line process in the best Henry Ford tradition. But was the art of the animated cartoon sacrificed for the trade's sake? That, of course, depends on the studios themselves.Through the years several institutions have proven McCay's prophecy at least partly false; indeed, without such positive collaborations of talent the art of animation would not have advanced to the level of sophistication it enjoys today. But who exactly was it "bad luck" for: the art, or the artists themselves?Even before McCay had shown the world the true potential of the animated cartoon in his landmark film "Gertie the Dinosaur" (1914), the first animation studios were already around, trying to exploit the medium for what they could. Raoul Barre' opened the first animation house in 1913, and within five years a new industry was born as more and more studios began to pop up around the New York metropolitan area.Arguably the most successful and certainly the most influential of these early studios was the the John Bray Studio. Bray created the first successful cartoon series, Col. Heeza Liar, in 1914. Future studio heads Max Fleischer and Walter Lantz honed their skills here. But the studio's most important contribution to the medium was the introduction of cels. The process of inking the animator's drawings onto clear pieces of celluloid and then photographing them in succession on a single painted background was invented by Bray employee Earl Hurd in late 1914. In the first of what was to be many such incidents, the studio swallowed all the credit and most of the revenue for it's underling's contribution to the art form. Hurd lent his patent to boss John Bray, who charged royalties for other studios to use the process....an understandable business practice. Yet from an artistic standpoint this was as if Picasso had demanded exclusive rights to Cubism. It was a relatively moot point, however; the patent expired in 1932 and was not renewed. The only real loser, it seems, was Earl Hurd.

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Vista Animated Wallpaper

 

Vista Animated Wallpaper

 

Vista Animated Wallpaper

Vista Animated Wallpaper

 

Vista Animated Wallpaper

 

Vista Animated Wallpaper

 

Vista Animated Wallpaper

 

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 Animation is a series of still drawings that, when viewed in rapid succession, gives the impression of a moving picture. The word animation derives from the Latin words anima meaning life, and animare meaning to breathe life into. Throughout history, people have employed various techniques to give the impression of moving pictures. Cave drawings depicted animals with their legs overlapping so that they appeared to be running. The properties of animation can be seen in Asian puppet shows, Greek bas-relief, Egyptian funeral paintings, medieval stained glass, and modern comic strips.In 1640, a Jesuit monk named Althanasius Kircher invented a "magic lantern" that projected enlarged drawings on a wall. A fellow Jesuit, Gaspar Schott, developed this idea further by creating a straight strip of pictures, a sort of early filmstrip, that could be pulled across the lantern's lens. Schott further modified the lantern until it became a revolving disk. A century later, in 1736, a Dutch scientist named Pieter Van Musschenbroek created a series of drawings of windmill vanes that, when projected in rapid succession, gave the illusion of the windmill circling around and around.The magic lantern became a popular form of entertainment. Traveling entertainers, visiting the villages and towns of Europe, included it in their shows. In London, the Swiss-born physician and scholar Peter Mark Roget, most famous for compiling the Thesaurus of English Words and Phrases, was fascinated by the scientific phenomenon at play and wrote an essay entitled "Persistence of Vision with Regard to Moving Objects" that was widely read and used as a basis for subsequent inventions. One of the first was the thaumatrope, developed in the 1820s by John Paris, also an English doctor. The thaumatrope was simply a small disk with a different image drawn on either side. Strings were knotted onto two edges so that the disk could be spun. As the disk twirled around, the two images appeared to blend. For example, a monkey on one side appeared to sit inside the cage on the opposite side.The next major innovation was the phenakistoscope, created by Joseph Plateau, a Belgian physicist and doctor. Plateau's contribution was a flat disk perforated with evenly spaced slots. Figures were drawn around the edges, depicting successive movements. A stick attached to the back allowed the disk to be held at eye level in front of a mirror. The viewer then spun the disk and watched the reflection of the figures pass through the slits, once again giving the illusion of movement

Free Animated Waterfall Wallpaper 

 

Free Animated Waterfall Wallpaper  

 

Free Animated Waterfall Wallpaper 

Free Animated Waterfall Wallpaper  

 

Free Animated Waterfall Wallpaper 

Free Animated Waterfall Wallpaper  

 

Free Animated Waterfall Wallpaper 

Free Animated Waterfall Wallpaper  

 
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Animated Fire Wallpaper Biography

 Animation is a word that has practically stormed the film industry these days. Everyone, right from the 8-year old kids to 80-year old granddads, loves to watch an animation flick. Have you ever wondered what animation exactly is and how did it come into existence. Animation is basically the rapid display of a sequence of images, of 2-D or 3-D artwork or model positions. The display is so rapid that it creates an illusion of movement in the viewers. The phenomenon of persistence of vision is the main basis behind the development of animation. In case you want to further explore the origin and history of animation, make use of the information provided in the lines below.The earliest instance of animation dates back to the Paleolithic times, when attempts were made to capture motion in drawings. The cave-paintings of that time depict animals in superimposed positions, drawn with an aim of conveying the perception of motion. Persistence of vision, the basis behind animation, was discovered by Ptolemy, the Greek astronomer, in 130 AD. Fifty years later, in 180 AD, an unknown Chinese inventor created an early animation device, which we later came to know as the zoetrope.Phenakistoscope, praxinoscope and the flip book are the other early animation devices, which were invented during the 1800s. All these devices made use of technological means for the purpose of producing movement from sequential drawings. However, it was the introduction of motion picture films, in the late 1890s that gave a boost to the concept of animation. There is no single person who can be credited with the title of the "Creator" of animation. This is because when animation was developed, many people were involved in the same thing at the same time. J. Stuart Blackton was the first person to make an animated film, which he called "Humorous phases of funny faces". For the purpose, he used to draw comical faces on a blackboard, one after the other, and film them. In 1910, Emile Cohl came out with the first paper cutout animation. The development of celluloid, around 1913, made animation much easier to manage. While talking about the history of animation, three names that are definitely worth mentioning are those of Winsor McCay of United States & Emile Cohl and Georges Melies of France. Émile Cohl's Fantasmagorie (1908) was the first animated film that was made using 'traditional (hand-drawn) animation'. Georges Méliès, a creator of special-effect films, was the first person to use animation, along with special effects. He was the one who gave the idea of stop-motion animation. McCay also created a number of animation films, with the most noted ones being Little Nemo (1911), Gertie the Dinosaur (1914) and The Sinking of the Lusitania (1918). In fact, many people take ‘Sinking of the Lusitania’ to be the first animated feature film. However, it was Walt Disney who took animation to an entirely new level altogether.

Animated Fire Wallpaper 

Animated Fire Wallpaper  

Animated Fire Wallpaper 

Animated Fire Wallpaper  

 

Animated Fire Wallpaper 

 

Animated Fire Wallpaper 

 

Animated Fire Wallpaper 

 

Animated Fire Wallpaper  

 

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Animation refers to the recording of any image which goes through changes over time to portray the illusion of motion. This is usually accomplished with a camera and a projector or a computer viewing screen which can rapidly cycle through images in a sequence. Animation can be made with either hand rendered art, computer generated imagery, or three-dimensional objects, e.g. puppets or clay figures, or a combination of techniques. The position of each object in any particular image relates to the position of that object in the previous and following images so that the objects each appear to fluidly move independently of one another. The viewing device displays these images in rapid succession, usually 24, 25 or 30 frames per second.Evidence of artistic interest in depicting figures in motion can be seen as early as Paleolithic cave paintings. Animals in these paintings were often depicted with multiple sets of legs in superimposed positions. Because these paintings are prehistoric they could be explained a number of ways, such as the artist simply changing their mind about the leg’s position with no means of erasing, but it’s very likely that they are early attempts to convey motion.

Another example includes a 5,200-year old earthen bowl found in Iran in Shahr-e Sukhteh. The bowl has five images painted along the sides, showing phases of a goat leaping up to nip at a tree.An Egyptian mural, found in the tomb of Khnumhotep and Niankhkhnum, at the Beni Hassan cemetery includes a sequence of images in temporal succession. The paintings are approximately 4000 years old and show scenes of young soldiers being trained in wrestling and combat.

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Christmas Animated Wallpapers

 

Christmas Animated Wallpapers

Christmas Animated Wallpapers

 

Christmas Animated Wallpapers

 

Christmas Animated Wallpapers

 

Christmas Animated Wallpapers

 

Christmas Animated Wallpapers

 

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