Free Animated Wallpaper For Windows 7 Biography
 Animation should be an art....what you fellows have done with it is   making it into a trade....not an art, but a trade....bad luck ." Thus   Winsor McCay, father of the animated cartoon, pronounced the doom of the   very industry he had inadvertently helped create.From 1911-21 McCay   nursed animation from a simple camera trick to full blown character   animation that would take 20 years to be surpassed. McCay animated his   films almost single-handed; from inception to execution each cartoon was   his and his alone. He took the time to make his films unique artistic   visions, sometimes spending more than a year to make a single   five-minute cartoon. But the burgeoning world of cinema could not wait   so long for so little, and so the modern animation studio came into   being. The art of animation was no longer the work of one man, it was a   streamlined, assembly-line process in the best Henry Ford tradition.  But  was the art of the animated cartoon sacrificed for the trade's  sake?  That, of course, depends on the studios themselves.Through the  years  several institutions have proven McCay's prophecy at least partly  false;  indeed, without such positive collaborations of talent the art  of  animation would not have advanced to the level of sophistication it   enjoys today. But who exactly was it "bad luck" for: the art, or the   artists themselves?Even before McCay had shown the world the true   potential of the animated cartoon in his landmark film "Gertie the   Dinosaur" (1914), the first animation studios were already around,   trying to exploit the medium for what they could. Raoul Barre' opened   the first animation house in 1913, and within five years a new industry   was born as more and more studios began to pop up around the New York   metropolitan area.Arguably the most successful and certainly the most   influential of these early studios was the the John Bray Studio. Bray   created the first successful cartoon series, Col. Heeza Liar, in 1914.   Future studio heads Max Fleischer and Walter Lantz honed their skills   here. But the studio's most important contribution to the medium was the   introduction of cels. The process of inking the animator's drawings   onto clear pieces of celluloid and then photographing them in succession   on a single painted background was invented by Bray employee Earl Hurd   in late 1914. In the first of what was to be many such incidents, the   studio swallowed all the credit and most of the revenue for it's   underling's contribution to the art form. Hurd lent his patent to boss   John Bray, who charged royalties for other studios to use the   process....an understandable business practice. Yet from an artistic   standpoint this was as if Picasso had demanded exclusive rights to   Cubism. It was a relatively moot point, however; the patent expired in   1932 and was not renewed. The only real loser, it seems, was Earl Hurd.
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Free Animated Wallpaper For Windows 7
Waterfall Animated Wallpaper For Android 
Cold Winter Animated Wallpaper
 
No comments:
Post a Comment